MDog Studios Digital Photography

Lighting Techniques

• Strobes: Many people do not know what Strobes are. It is basically just an external flash giant. It's the same thing as a flash you have a camera. Usually they are round and has a little flash that is in them that in the circle round. And you can control them with a sync cable external flash and it syncs up your camera. They even have a wireless device that will actually trigger the external flash and travel when you press your button to push down when you want to take the picture. Flashlights are used in the world that every professional photography studio uses. There are all kinds. There are a few basic ones, there's some middle of the road, and there some high-end ones. In this case, you do not need something that will be the high end.

• Defused Light: You have different types of devices to create light defused. You have an umbrella. Many people saw them. And there are different ways to defuse the light. You can take the flash and you can bounce of the umbrella, then turn it back to your topic. Which creates a soft light and pleasant where you can turn the flash around real and shoot through the umbrella to your topic. This is another way to create soft light and pleasant. My favorite is the soft box, it is basically a big box, like he said and he has a white screen on it and pull you right through it. And he usually gives a pleasant light that wraps around your subject.

• Budget Lighting: You can create your own. I saw this done – when you take a 2×4 and your nails and you all take a leaf white and you stretch the 2×4 and then you take your flash through it. And that creates your light box. It is basically same thing. So what are some options for delivery of your light. Using light window can work very well, but you need a room window and, if you travel with this portable studio that I will show you how, you may not have a light in the window of this room. But if you do, you just want to find a window closest to your subject and then bounce the light with a poster board on the other side or a sheet. Something white. So you can be creative with it. But something white to bounce the light from the other side. Because if you Only one window on one side of the room, then you'll have to fill the other side with a reflector or you might get lucky and have two windows on each side of the room. This would be the best scenario. And then the sunlight can be really, really nice. And that's what the window is light. It's just a nice even light. If you've already shot outdoors on a covered, you can see the light exterior is nice and smooth. So is the window lighting.

• Exterior lighting: Basically, you just go to the scenery outside, just as you would in a studio. basically just set up outside of your mini-studio. Use a bulletin board or reflector to direct light. Again, it's almost what you see is what you get. I therefore look and see where your best position is when you put an object on the area where you will be shot and see if you see shadows. And if you do, so you need to change the subject because it is the advantage of outdoor lighting. If you see a shadow, you get a shadow. It is quite easy to remove with a few basic techniques. Just take a poster board or something white and reflect light or bounce the light back in. If you have an external flash, you can choose to use a fill flash and that will fill in for shadows too. Using your overcast create a beautiful light, very sweet. Think of this as a "giant soft box to use as much as possible. If you think that the time is covered and it looks bleak, it is usually your best. Create a screen to diffuse sunlight. Now, if you have a genuine sunny day and there is no area where there is darkness, you can create a source of light defused by taking the same idea, I spoke with defused light to create your own. You can take some 2×4 and put them together or pieces of wood and stretch a piece of cloth on them. And you can either build a stand or you can have someone hold on your subject and creates a nice even light too.

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So that’s your lighting, really not that complicated. And it really doesn’t have to be. But again, we just want to have the subject exposed properly, so that when we get ready to edit the subject, we’re going to have a nice even lighting to go and complement our images or our backgrounds.

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Episode 27, Outdoor Portraits #3